The romantic generation (charles eliot norton lectures)
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The romantic generation (charles eliot norton lectures)
The Romantic GenerationBased Oil the Charles Eliot Norton LecturesThe Romantic GenerationG Q A Q D -CHARLESROSENHarvard University PressCambridge, Mas The romantic generation (charles eliot norton lectures)ssachusettsCopyright I© 1095 by Charles Rosen All rights reservedPrinted in the United States of America Sixth printing. 2005To Henri Zen 1 erContentsPreface ixone Music ami SoundImagining the sound 1 . Romantic paradoxes: the absent melody 7 . Classical and Romantic pedal 13 . Conception and realiz The romantic generation (charles eliot norton lectures)ation 27 . Tone color and structure 38two FragmentsRenewal 41 . The Fragment as Romantic form 48 . open and closed SI . Words and music 58 . The emancThe romantic generation (charles eliot norton lectures)
ipation of musical language 6S . Experimental endings and cyclical forms 78 . Ruins 92 . Disorders 95 . Quotations and memories 98 Absence: the melodyThe Romantic GenerationBased Oil the Charles Eliot Norton LecturesThe Romantic GenerationG Q A Q D -CHARLESROSENHarvard University PressCambridge, Mas The romantic generation (charles eliot norton lectures)142 . Landscape and memory 150 . Music and memory 166 . Landscape and death: Schubert 174 . The unfinished workings of the past 204 . Song cycles without words 220four Format InterludeMediants 237 . Four-bar phrases 257five Chopin: Counterpoint and the Narrative FormsPoetic inspiration and craft 279 The romantic generation (charles eliot norton lectures) . Counterpoint and the single line 285 . Narrative form: the ballade 302 . Changes of mode 342 . Italian opera and J. s. Bach 344six Chopin: VirtuosiThe romantic generation (charles eliot norton lectures)
ty TransformedKeyboard exercises 361 . Virtuosity and decoration (salon music?) 383 . Morbid intensity 398seven Chopin: From the Miniature Genre to thThe Romantic GenerationBased Oil the Charles Eliot Norton LecturesThe Romantic GenerationG Q A Q D -CHARLESROSENHarvard University PressCambridge, Mas The romantic generation (charles eliot norton lectures)ht Liszt: On Creation as PerformanceDisreputable greatness 472 . Die Lorelei: the distraction of influence 474 . The Sonata: the distraction of respectability 479 . The invention of Romantic piano sound: the Etudes 491 . Conception and realization 506 . The masks of Liszt 511 . Recomposing: Sonnet n The romantic generation (charles eliot norton lectures)o. 104 517 . Self-Portrait as Don Juan 528nine Berlioz: Liberation from the Central European TraditionBlind idolaters and perfidious critics 542 . TraThe romantic generation (charles eliot norton lectures)
dition and eccentricity: the idee fixe 546 . Chord color and counterpoint 550 . Long-range harmony and contrapuntal rhythm: the "Scene d'amour* 556tenThe Romantic GenerationBased Oil the Charles Eliot Norton LecturesThe Romantic GenerationG Q A Q D -CHARLESROSENHarvard University PressCambridge, Mas The romantic generation (charles eliot norton lectures)Religion in the concert hall 590The Romantic GenerationBased Oil the Charles Eliot Norton LecturesThe Romantic GenerationG Q A Q D -CHARLESROSENHarvard University PressCambridge, MasGọi ngay
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