Luận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears prada
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Luận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears prada
Vietnam national university Hanoi University of languages and international studies Faculty of Post-graduate studies ---------------------*****------- Luận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears prada----DÀO Tin LAN TRANGDISCURSIVE CONSTRUCTION OF ANDREA SAC IIS’ IDENTITIES IN THE MOVIE “I HE DEML WEARS PRADA”(Nghiên cửu về cách kiến tạo đạc linh cá nhân thống qua diền ngôn cùa nhân vật Andrea Sachs trong bộ phim “ I he devil wears Prada”)M.A. Minor Programme ThesisField: English LinguisticsCode Luận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears prada: «220201.01HANOI - 2018Vietnam national university Hanoi University of languages and international studies Faculty of Post-graduate studies ---------Luận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears prada
-------------*****---------DÀO Tin LAN TRANGDISCURSIVE CONSTRUCTION OF ANDREA SAC IIS’ IDENTITIES IN THE MOVIE “ I HE DEVIL WEARS PRADA”(Nghiên cửu vềVietnam national university Hanoi University of languages and international studies Faculty of Post-graduate studies ---------------------*****------- Luận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears pradaEnglish LinguisticsCode: 8220201.01Supervisor : Dr. NGUYỀN THỊ THU HÀHANOI - 2018ACCEPTANCE PAGEI hereby state that I: Đào Thị Lan Trang, group QII.2015, being a candidate for the degree of Master of Arts, accept the requirements of the University relating to the retention and use of Master’s Gradua Luận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears pradation Paper deposited in the library.In terms of these conditions. I agree that the origin of my paper deposited in the library should be accessible foLuận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears prada
r the purposes of study and research, in accordance with the normal conditions established by the librarian for the care, loan or reproduction of the Vietnam national university Hanoi University of languages and international studies Faculty of Post-graduate studies ---------------------*****------- Luận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears pradaenthusiastically supported me during the process of doing research. 1 owe much of my completion of this research to her invaluable guidance and encouragement.I would also like to show my sincere thanks to my classmales who gave me helpful support and advice to go through this strenuous process.Last Luận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears pradabut not least, my heartfelt thanks are for my loving family with their unconditional love, understanding and encouragement for me over this whole periLuận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears prada
od of lime.11ABSTRACTUndeniably, the intricate constructions of film characters’ identities have always been a noteworthy matter of research as they pVietnam national university Hanoi University of languages and international studies Faculty of Post-graduate studies ---------------------*****------- Luận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears prada Prada”, which has intrigued both linguists and researchers in other fields in the search for its messages and associated ideologies conveyed through its characters. This paper makes an endeavour to shed light on linguistic tools employed in the construction of the main character’s identities. Based Luận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears prada on that, the paper also aims to interpret the film's social messages as well as the context impacting on such a character’s identity construction proLuận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears prada
cess.For the accomplishment of these purposes, critical discourse analysis and Fairclough's three-dimensional model have been employed, facilitating tVietnam national university Hanoi University of languages and international studies Faculty of Post-graduate studies ---------------------*****------- Luận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears pradaain character, gender identity and professional identity arc euphemism, negation, modality, hedges, jargons, metaphor lexical resources and communicative styles. Besides, the study, while giving an insight into the social context, offers three interpretations drawn from the construction of the chara Luận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears pradacter’s identities. They are: the entanglement of feminist and anti-feminist ideas, the resurgence of natural sexual difference and the commonly held cLuận văn thạc sĩ discursive construction of andrea sachs’ identities in the movie the devil wears prada
oncept of woman objectification.IllTABLE OF CONTENTSACCEPTANCE PAGE.....................................................iACKNOW LE DGE M EN IS........Vietnam national university Hanoi University of languages and international studies Faculty of Post-graduate studies ---------------------*****-------Vietnam national university Hanoi University of languages and international studies Faculty of Post-graduate studies ---------------------*****-------Gọi ngay
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