Answering machine, auto tune, spectrograph queer vocality through sonic technology

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Answering machine, auto tune, spectrograph queer vocality through sonic technology

Answering Machine, Auto-Tune, Spectrograph: Queer Vocality Through Sonic TechnologybyLilia Maud KilburnB.A. Anthropology. Amherst College, 2012Submitt

Answering machine, auto tune, spectrograph queer vocality through sonic technology ted to the Program in Comparative Media Studies/Writing in Partial Fulfillment of the Requirements for the Degree ofMaster of Science in Comparative M

edia Studiesat theMASSACHUSETTS INSTITUTE OF TECHNOLOGYMassachusetts Institute of TechnologySEP 0 7 201542614LIBRARIES©2016 Lilia Maud Kilburn. All ri Answering machine, auto tune, spectrograph queer vocality through sonic technology

ghts reserved.ARCHIVESrhe author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis do

Answering machine, auto tune, spectrograph queer vocality through sonic technology

cument in whole or in part in any medium now known or hereafter created.Signature redactedSignature of Author: _______________/Department of Comparati

Answering Machine, Auto-Tune, Spectrograph: Queer Vocality Through Sonic TechnologybyLilia Maud KilburnB.A. Anthropology. Amherst College, 2012Submitt

Answering machine, auto tune, spectrograph queer vocality through sonic technology s,. •Thesis SupervisorSignature redactedAccepted by:Heather HendershotDirector of Graduate Studies, Comparative Media StudiesAnswering Machine, Auto-T

une. Spectrograph: Queer Vocality Through Sonic Technology byI.ilia Maud KilburnSubmitted to the Program in Comparative Media Studies.Writing on Augus Answering machine, auto tune, spectrograph queer vocality through sonic technology

t 1 l'h, 2016 in partial fulfillment of the requirements for the degree of Master of Science in Comparative Media Studies.AbstractIn academic and acti

Answering machine, auto tune, spectrograph queer vocality through sonic technology

vist contexts, “voice” has long served as shorthand for inclusion, empowerment, and the like, occasioning bromides about having or not having a voice,

Answering Machine, Auto-Tune, Spectrograph: Queer Vocality Through Sonic TechnologybyLilia Maud KilburnB.A. Anthropology. Amherst College, 2012Submitt

Answering machine, auto tune, spectrograph queer vocality through sonic technology binary between sound and silence at the expense of attending to other vocal modulations. This thesis first assembles calls by queer and feminist schol

ars for such nuanccd portrayals of vocality; then, so as to answer those calls, it stages scenes of listening. 1 examine vocality through technology: Answering machine, auto tune, spectrograph queer vocality through sonic technology

by looking at how vocality is structured by enclosing technologies, which in turn structure relations and the reverse. More specifically, my thesis tr

Answering machine, auto tune, spectrograph queer vocality through sonic technology

aces the ways in which vocality travels in the world by attending to three particular technologies through which the voice is filtered: the answering

Answering Machine, Auto-Tune, Spectrograph: Queer Vocality Through Sonic TechnologybyLilia Maud KilburnB.A. Anthropology. Amherst College, 2012Submitt

Answering machine, auto tune, spectrograph queer vocality through sonic technology chnologies allow US to hold on one another—claims about mourning and loss, about calling and the promise of response, about the identification of indi

viduals (or oneself) via the voice. Though my investigations span various archives, I center them on two characters: the performer Cher and her son Ch Answering machine, auto tune, spectrograph queer vocality through sonic technology

az, who is transgender. I do so to consider the ways in which a sonically inflected media theory can inform queer theory and vice versa, and to consid

Answering machine, auto tune, spectrograph queer vocality through sonic technology

er the particular relational dilemmas made incumbent upon subjects whose vocal trajectories arc discontinuous, depart from normative pitch, and/or dee

Answering Machine, Auto-Tune, Spectrograph: Queer Vocality Through Sonic TechnologybyLilia Maud KilburnB.A. Anthropology. Amherst College, 2012Submitt