KHO THƯ VIỆN 🔎

The New Reform Temple of Berlin

➤  Gửi thông báo lỗi    ⚠️ Báo cáo tài liệu vi phạm

Loại tài liệu:     PDF
Số trang:         57 Trang
Tài liệu:           ✅  ĐÃ ĐƯỢC PHÊ DUYỆT
 











Nội dung chi tiết: The New Reform Temple of Berlin

The New Reform Temple of Berlin

THE NEW REFORM TEMPLE OF BERLIN: CHRISTIAN MUSIC AND JEWISH IDENTITY DURING THE HASKALAHSamuel TeepleA ThesisSubmitted to the Graduate College of Bowl

The New Reform Temple of Berlin ling Green State University in partial fulfillment of the requirements for (he degree ofMASTER OF MUSIC43313Committee:Arne Spohr. AdvisorEftychia Papa

nikolaouiii ABSTRACTArne Spohr. AdvisorDuring the first decades of the nineteenth century. Israel Jacobson (1768-1828) created a radically new service The New Reform Temple of Berlin

that drew upon forms of worship most commonly associated with the Protestant faith. After finding inspiration as a student in the ideas of the Haskal

The New Reform Temple of Berlin

ah, or Jewish Enlightenment. Jacobson became committed to revitalizing and modernizing Judaism. Musically. Jacobson's sen ice was characterized by its

THE NEW REFORM TEMPLE OF BERLIN: CHRISTIAN MUSIC AND JEWISH IDENTITY DURING THE HASKALAHSamuel TeepleA ThesisSubmitted to the Graduate College of Bowl

The New Reform Temple of Berlin itional music of the synagogue, a custom that had developed over more than a millennium. The music of the sen ice worked in conjunction with Protestan

t-style sermons, the use of both Gentian and Hebrew, and the church- and salon-like environments in which Jacobson's services were held. The music, li The New Reform Temple of Berlin

turgy, and ceremonial of this new mode of worship demonstrated an affinity with German Protestantism and bourgeois cultural values while also maintain

The New Reform Temple of Berlin

ing Judaism's core beliefs and morals.In this thesis, 1 argue that Jacobson's musical agenda enabled a new realization of German-Jewish identity among

THE NEW REFORM TEMPLE OF BERLIN: CHRISTIAN MUSIC AND JEWISH IDENTITY DURING THE HASKALAHSamuel TeepleA ThesisSubmitted to the Graduate College of Bowl

The New Reform Temple of Berlin its wider historical, political, and social context within the well-documented services at the Jacobstempel in Seesen and the New Reform Temple in Ber

lin. Although much of this project discusses general practice rather than specific repertoire. 1 examine several works composed for these services: a The New Reform Temple of Berlin

canata by Johann August Gunther Heinroth (1773-1843). a hymn by Jacobson, and the 1815 Hallelujah Cantatine by Giacomo Meyerbeer (1791 -1864).ivACKNOW

The New Reform Temple of Berlin

LEDGMENTSI first encountered the topic that would evolve into this thesis over a year and a half ago while reading Deborah Hertz's How Jews Became Ger

THE NEW REFORM TEMPLE OF BERLIN: CHRISTIAN MUSIC AND JEWISH IDENTITY DURING THE HASKALAHSamuel TeepleA ThesisSubmitted to the Graduate College of Bowl

The New Reform Temple of Berlin f this book. The entire premise of this project is heavily indebted to Hertz’s theorization of German identity among the acculturated Jews of Berlin,

in addition to the work of Michael A. Meyer, Abraham z. Idelsohn. Tina Friihauf. and Ruth HaCohen.I am also beyond gratefill to my advisor. Dr. Arne S The New Reform Temple of Berlin

pohr—he first lent me Deborah Hertz’s book after he happened upon it in a Detroit bookstore and thought that I would enjoy it. Beyond that first intro

The New Reform Temple of Berlin

duction. Dr. Spohr has been instrumental to my success in countless ways, but especially through his assistance in translating the many German sources

THE NEW REFORM TEMPLE OF BERLIN: CHRISTIAN MUSIC AND JEWISH IDENTITY DURING THE HASKALAHSamuel TeepleA ThesisSubmitted to the Graduate College of Bowl

The New Reform Temple of Berlin vice on how best to structure my writing (her suggestion was usually to get to the point, a reminder that I often require). I am also thankfill for th

e time donated by Dr. Samuel Adler in helping me find the musical sources most essential to the earliest stages of my research.On a more personal note The New Reform Temple of Berlin

, thank you to Bob and Mary Coffey, two friends and musicians who for many years sponsored my musical education with a generous scholarship. Lastly. I

The New Reform Temple of Berlin

want to thank my mother, Sandra Smith, who has been my biggest supporter through 25 years and three degrees. After sending her the first complete dra

THE NEW REFORM TEMPLE OF BERLIN: CHRISTIAN MUSIC AND JEWISH IDENTITY DURING THE HASKALAHSamuel TeepleA ThesisSubmitted to the Graduate College of Bowl

The New Reform Temple of Berlin highly doubt that any other compliment will ever make me feel as accomplished.VTABLE OF CONTENTSPageINTRODUCTION.....................................

.............................. 1CH.APTER I. THE HISTORICAL ORIGINS OF REFORM JUDAISM........................... 5Musical Components of Jewish Worship. The New Reform Temple of Berlin

.................................... 5The Music of the Second Temple and the Aftermath of its Destruction...... 8Synagogue Music and European Influenc

The New Reform Temple of Berlin

e Among the Ashkenazim............ 11Musical Innovations of the Hazzanim..................................... 13Synagogue Music in Berlin.............

THE NEW REFORM TEMPLE OF BERLIN: CHRISTIAN MUSIC AND JEWISH IDENTITY DURING THE HASKALAHSamuel TeepleA ThesisSubmitted to the Graduate College of Bowl

The New Reform Temple of Berlin OF MUSICAL REFORM IN SEESEN 23The Influence of the Haskakih........................................... 23Israel Jacobson: Educational and Religious Re

form....................... 26The Consecration of the Jacobstempel.................................... 30Johann August Gunther Heinroth’s Cantata..... The New Reform Temple of Berlin

........................... 34Lutheran-Influenced Hymnals of Reform Judaism........................... 39

THE NEW REFORM TEMPLE OF BERLIN: CHRISTIAN MUSIC AND JEWISH IDENTITY DURING THE HASKALAHSamuel TeepleA ThesisSubmitted to the Graduate College of Bowl

THE NEW REFORM TEMPLE OF BERLIN: CHRISTIAN MUSIC AND JEWISH IDENTITY DURING THE HASKALAHSamuel TeepleA ThesisSubmitted to the Graduate College of Bowl

Gọi ngay
Chat zalo
Facebook