Being there by jerzy kosinski
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Being there by jerzy kosinski
lORlMAR present / •. VI REW BRAUKSOERGƯCĨI0NPETER SELLERS SHIRacLAINEALSO STARRING_JACK WARDEN - MELVYN DOUGLAS -RjiaiOART-RICHARD BASEHARTscreenplay Being there by jerzy kosinski by JERZYK0SINSK1MUSIC SY JOHN RI/MANJerzy KosinskiBeing ThereThe Classic Novel Immortalised BY Peter Sellers in the Film of1THE Same NameBeing There by Jersy Kosinski, London. Black Swan. 1996— 9 September 1999Chapter 1It was Sunday. Chance was in the garden. He moved slowly, dragging the green hos Being there by jerzy kosinskie from one path to the next, carefully watching the flow of the water. Very gently he let the stream touch every plant, every flower, every branch ofBeing there by jerzy kosinski
the garden. Plants were like people; they needed care to live, to survive their diseases, and to die peacefully.Yet plants were different from people.lORlMAR present / •. VI REW BRAUKSOERGƯCĨI0NPETER SELLERS SHIRacLAINEALSO STARRING_JACK WARDEN - MELVYN DOUGLAS -RjiaiOART-RICHARD BASEHARTscreenplay Being there by jerzy kosinski intentionally: it cannot help growing, and its growth has no meaning, since a plant cannot reason or dream.It was safe and secure in the garden, which was separated from the street by a high, red brick wall covered with ivy. and not even the sounds of the passing cars disturbed the peace. Chance ig Being there by jerzy kosinskinored the streets. Though he had never stepped outside the house and its garden, he was not curious about life on the other side of the wall.The frontBeing there by jerzy kosinski
part of the house where the Old Man lived might just as well have been another part of the wall or the street. He could not tell if anything in it walORlMAR present / •. VI REW BRAUKSOERGƯCĨI0NPETER SELLERS SHIRacLAINEALSO STARRING_JACK WARDEN - MELVYN DOUGLAS -RjiaiOART-RICHARD BASEHARTscreenplay Being there by jerzy kosinskir leading to the garden.What was particularly nice about the garden was that at any moment, standing in the narrow paths or amidst the bushes and trees, Chance could start to wander, never knowing whether he was going forward or backward, unsure whether he was ahead of or behind his previous steps. Being there by jerzy kosinskiAll that mattered was moving in his own time, like the growing plants.Once in a while Chance would turn off the water and sit on the grass and think.Being there by jerzy kosinski
The wind, mindless of direction, intermittently swayed the bushes and trees. The city's dust settled evenly, darkening the flowers, which waited patielORlMAR present / •. VI REW BRAUKSOERGƯCĨI0NPETER SELLERS SHIRacLAINEALSO STARRING_JACK WARDEN - MELVYN DOUGLAS -RjiaiOART-RICHARD BASEHARTscreenplay Being there by jerzy kosinskiUnder every tree and bush lay rotten trunks and disintegrated and decomposing roots. It was hard to know which was more important: the garden's surface or the graveyard from which it grew and into which it was constantly lapsing. For example, there were some hedges at the wall which grew in complete Being there by jerzy kosinski disregard of the other plants; they grew faster, dwarfing the smaller flowers, and spreading onto the territory of weaker bushes.Chance went inside aBeing there by jerzy kosinski
nd turned on the TV. The set created its own light, its own colour, its own time. It did not follow the law of gravity that forever bent all plants dolORlMAR present / •. VI REW BRAUKSOERGƯCĨI0NPETER SELLERS SHIRacLAINEALSO STARRING_JACK WARDEN - MELVYN DOUGLAS -RjiaiOART-RICHARD BASEHARTscreenplay Being there by jerzy kosinskir and near. In this coloured world of television, gardening was the white cane of a blind man.By changing the channel he could change himself . He could go through phases, as garden plants went through phases, but he could change as rapidly as he wished by3twisting the dial backward and forward. In Being there by jerzy kosinskisome cases he could spread out into the screen without stopping, just as on TV people spread out into the screen. By turning the dial, Chance could brBeing there by jerzy kosinski
ing others inside his eyelids. Thus he came to believe that it was he. Chance, and no one else, who made himself be.The figure on the TV screen lookedlORlMAR present / •. VI REW BRAUKSOERGƯCĨI0NPETER SELLERS SHIRacLAINEALSO STARRING_JACK WARDEN - MELVYN DOUGLAS -RjiaiOART-RICHARD BASEHARTscreenplay Being there by jerzy kosinskiheir voices were alike.He sank into the screen. Like sunlight and fresh air and mild rain, the world from outside the garden entered Chance, and Chance, like a TV image, floated into the world, buoyed up by a force he did not see and could not name.He suddenly heard the creak of a window opening abo Being there by jerzy kosinskive his head and the voice of the fat maid calling. Reluctantly he got up, carefully turned off the TV, and stepped outside. The fat maid was leaning oBeing there by jerzy kosinski
ut of the upstairs window flapping her arms. He did not like her. She had come some time after black Louise had got sick and returned to Jamaica. She lORlMAR present / •. VI REW BRAUKSOERGƯCĨI0NPETER SELLERS SHIRacLAINEALSO STARRING_JACK WARDEN - MELVYN DOUGLAS -RjiaiOART-RICHARD BASEHARTscreenplay Being there by jerzy kosinskiom. As a rule he listened to her rapid speech only when she was bringing him food and telling him what the Old Man had eaten and what she thought he had said. Now she wanted him to come up quickly.Chance began walking the three flights upstairs. He did not trust the elevator since the time black Lou Being there by jerzy kosinskiise had been trapped in it for hours. He walked down the long corridor until he reached the front of the house.The last time he had seen this part ofBeing there by jerzy kosinski
the house some of4the trees in the garden, now tall and lofty, had been quite small and insignificant. There was no TV then. Catching sight of his reflORlMAR present / •. VI REW BRAUKSOERGƯCĨI0NPETER SELLERS SHIRacLAINEALSO STARRING_JACK WARDEN - MELVYN DOUGLAS -RjiaiOART-RICHARD BASEHARTscreenplay Being there by jerzy kosinskis gray, his hands wrinkled and shriveled. The Old Man breathed heavily and had to pause frequently between words.Chance walked through the rooms, which seemed empty; the heavily curtained windows barely admitted the daylight. Slowly he looked at the large pieces of furniture shrouded in old linen co Being there by jerzy kosinskivers, and at the veiled mirrors. The words that the Old Man had spoken to him the first time had wormed their way into his memory like firm roots. ChaBeing there by jerzy kosinski
nce was an orphan, and it was the Old Man himself who had sheltered him in the house ever since Chance was a child. Chance's mother had died when he wlORlMAR present / •. VI REW BRAUKSOERGƯCĨI0NPETER SELLERS SHIRacLAINEALSO STARRING_JACK WARDEN - MELVYN DOUGLAS -RjiaiOART-RICHARD BASEHARTscreenplay Being there by jerzy kosinskige this. Nor would he ever be able to understand much of what others were saying to him or around him. Chance was to work in the garden, where he would care for plants and grasses and trees which grew there peacefully. He would be as one of them: quiet, open-hearted in the sunshine and heavy when it Being there by jerzy kosinski rained. His name was Chance because he had been born by chance. He had no family. Although his mother had been very pretty, her mind had been as damaBeing there by jerzy kosinski
ged as his: the soft soil of his brain, the ground from which all his thoughts shot up, had been ruined forever. Therefore, he could not look for a pllORlMAR present / •. VI REW BRAUKSOERGƯCĨI0NPETER SELLERS SHIRacLAINEALSO STARRING_JACK WARDEN - MELVYN DOUGLAS -RjiaiOART-RICHARD BASEHARTscreenplay Being there by jerzy kosinskiher parts of the household or walk out into5lORlMAR present / •. VI REW BRAUKSOERGƯCĨI0NPETER SELLERS SHIRacLAINEALSO STARRING_JACK WARDEN - MELVYN DOUGLAS -RjiaiOART-RICHARD BASEHARTscreenplayGọi ngay
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