The Bible- Image and Word
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The Bible- Image and Word
La Salle UniversityLa Salle University Digital CommonsArt Museum Exhibition CataloguesLa Salle University Art MuseumSpring 1978The Bible: Image and Wo The Bible- Image and WordordLt Salle University Art MuseumFollow this and additional works at: http://digitakommons.lasalle.edu/exhibition catalogues & Part of the Fine Arts Commons, and the History' of Art, Architecture, and Archaeology CommonsRecommended CitationLa Salk University Art Museum, "The Bible: Image and Word’ ( The Bible- Image and Word1978). Art Afasruitt Edirl'ifion Grtalogues. 114.http://digltakomiĩK>ns.lasalle.eduZexhibltion_ca(alogues/114'I hl* Book K brought to you for free andThe Bible- Image and Word
openby the La Salle University Art Museum at La Salle L’nnvrtlty Digital Common*. It ha* beenaccepted for indinion in Art Museum Exhibition CatalogueLa Salle UniversityLa Salle University Digital CommonsArt Museum Exhibition CataloguesLa Salle University Art MuseumSpring 1978The Bible: Image and Wo The Bible- Image and WordWORDAn Inaugural Exhibit of theSusan Dunleavy CollectionofBiblical LiteratureSpring and Summer Terms, 1978 The Art Gallery La Salle CollegeThe Bible: Image and WordFor more than two millennia, the Bible has been an inspiration to the believer and also an inexhaustible source of powerful imagery for The Bible- Image and Wordthe artist. "Biblical art" is, however, a special effort in the wider field of religious art. That is, it does not attempt to represent isolated religThe Bible- Image and Word
ious figures like the Madonna and Child or to symbolize theological concepts for the purposes of liturgical function. Rather it is concerned to portraLa Salle UniversityLa Salle University Digital CommonsArt Museum Exhibition CataloguesLa Salle University Art MuseumSpring 1978The Bible: Image and Wo The Bible- Image and Wordmetimes rather weak imagining of such scenes. In its most limited sense, biblical art is concerned with illustrating whole Bibles or individual books of the Bible with such portrayals. The range of biblical art, therefore, is from someone like Rembrandt, who, while he never illustrated a particular The Bible- Image and WordBible, devoted over a third of his entire output to biblical subjects; to someone like Durer, who did several series of engravings on particular narraThe Bible- Image and Word
tives, as in his "Small Passion"; to someone like Holbein whose illustrations were used by the Zurich printer, Froschauer for a complete Bible includeLa Salle UniversityLa Salle University Digital CommonsArt Museum Exhibition CataloguesLa Salle University Art MuseumSpring 1978The Bible: Image and Wo The Bible- Image and Wordus illuminators of early Christian and medieval times who enhanced manuscripts of holy scripture and of Books of Hours with scenes from the Old Testament and the life of Christ. That history continues with many similarly anonymous artists in the period of the printed book—and with many known, minor, The Bible- Image and Word though still interesting woodcutters, engravers, or etchers like Bernard Solomon or Jost Amman.It is this range of biblical illustration which is addThe Bible- Image and Word
ressed by the fledgling Susan Dunleavy Collection of Biblical Literature—together with two other forms of hoi to the Word of God: the fine craftsmanshLa Salle UniversityLa Salle University Digital CommonsArt Museum Exhibition CataloguesLa Salle University Art MuseumSpring 1978The Bible: Image and Wo The Bible- Image and Wordext. The present exhibit offers samples from each of these areas of Interest, with special emphasis on individual prints from the 16th and 17th centt and on early English, American, and Illustrated Bibles.Early English Bibles1. William Tyndale’s New TestamentProbably printed by Peter Schoeffer, at W The Bible- Image and Wordorms, 1526.(Facsimile of the only known complete copy of the text in the library of the Bristol Baptist College, England.)77-B-R-65This translation waThe Bible- Image and Word
s the first New Testament printed in English. Working directly from Erasmus* Greek text and his latin translation, the Vulgate, and Luther’s German NeLa Salle UniversityLa Salle University Digital CommonsArt Museum Exhibition CataloguesLa Salle University Art MuseumSpring 1978The Bible: Image and Wo The Bible- Image and Word Reformation had by 1520 created In England the need for English translations. Inspired by Luther’s reformation principles at a time when the Church in England was still strongly connected to Rome and production or reading of the Bible in the vernacular was prohibited, Tyndale was forced to print hi The Bible- Image and Words Bible abroad. Suspicious of the inclusion of Lutheran doctrine In Tyndale's translation, Church authorities saw to it that most of the 50,000 or soThe Bible- Image and Word
copies printed were confiscated and burned.H. 2D. & M. 2La Salle UniversityLa Salle University Digital CommonsArt Museum Exhibition CataloguesLa Salle University Art MuseumSpring 1978The Bible: Image and WoLa Salle UniversityLa Salle University Digital CommonsArt Museum Exhibition CataloguesLa Salle University Art MuseumSpring 1978The Bible: Image and WoGọi ngay
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