Collaborative Listening and Cultural Difference in Contemporary Art
➤ Gửi thông báo lỗi ⚠️ Báo cáo tài liệu vi phạmNội dung chi tiết: Collaborative Listening and Cultural Difference in Contemporary Art
Collaborative Listening and Cultural Difference in Contemporary Art
Western ? Graduated Post doctoral St tidiesWestern UniversityScholarship@WesternElectronic Thesis and Dissertation Repository43707,4375Collaborative L Collaborative Listening and Cultural Difference in Contemporary ArtListening and Cultural Difference in Contemporary ArtSantiago Ulises Unda Lara. The University of Western OntarioSupervisor: Mahon, Patrick, The University of Western Ontario: Migone, Christof, The University of Western OntarioA thesis submitted in partial fulfillment of the requirements for the Doc Collaborative Listening and Cultural Difference in Contemporary Arttor of Philosophy degree in Visual Arts© Santiago Ulises Unda Lara 2019Follow this and additional works at: https://lr.lib.uwo.ca/etd& Part of the ArtCollaborative Listening and Cultural Difference in Contemporary Art
Practice Commons, and the Fine Arts CommonsRecommended CitationUnda Lara, Santiago Ulises, 'Collaborative Listening and Cultural Difference in ContemWestern ? Graduated Post doctoral St tidiesWestern UniversityScholarship@WesternElectronic Thesis and Dissertation Repository43707,4375Collaborative L Collaborative Listening and Cultural Difference in Contemporary Artee and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Westem. For more information, please contact wlswadmin@uwo ca.AbstractThe research represented in this thesis has a relationshi Collaborative Listening and Cultural Difference in Contemporary Artp with my sustained interest in the subject of cultural difference that typified my earlier artistic practice. During my Ph.D. studies in Art and VisuCollaborative Listening and Cultural Difference in Contemporary Art
al Culture at Western University. I have advanced new perspectives on this problematic by elaborating on the potentialities of listening in dialogic aWestern ? Graduated Post doctoral St tidiesWestern UniversityScholarship@WesternElectronic Thesis and Dissertation Repository43707,4375Collaborative L Collaborative Listening and Cultural Difference in Contemporary Artwo main and related purposes. The first is the examination of hegemonic practices of production of meaning regarding cultural difference with a backdrop of the social, cultural and historical processes that underlie the constitution of the space of modernity in my home country, Ecuador, one of the f Collaborative Listening and Cultural Difference in Contemporary Artive nations that integrate the Andean region. The second is the analysis of artistic and collaborative activities where the cultivation of modes of liCollaborative Listening and Cultural Difference in Contemporary Art
stening (sounding implication, acoustic presence) foregrounds subaltern agency and the production of conununity. These preoccupations inform the analyWestern ? Graduated Post doctoral St tidiesWestern UniversityScholarship@WesternElectronic Thesis and Dissertation Repository43707,4375Collaborative L Collaborative Listening and Cultural Difference in Contemporary Artand Ecuador in research on the historical, social, and environmental effects of mining in the district of Portovelo and Zanima in Ecuador. Soundscape Pasochoa—a collaborative project developed in collaboration with José Sangoquiza that expand critical perspectives on the practice of the soundscapes Collaborative Listening and Cultural Difference in Contemporary Artto focus on the conditions for subaltern cultural production in the Valle of the Chillos.Pichincha province (Ecuador). A second section involving theCollaborative Listening and Cultural Difference in Contemporary Art
presentation of my practice dossier includes documentation of the art projects and activities carried out during my doctoral studies. It also providesWestern ? Graduated Post doctoral St tidiesWestern UniversityScholarship@WesternElectronic Thesis and Dissertation Repository43707,4375Collaborative L Collaborative Listening and Cultural Difference in Contemporary Artvador. A comprchcnsh c documentation of these projects and activities is found al hllpsL: uliscs-unda-phd.squarespacc.com.KeywordsCultural difference, modes of listening. sound art. collaborative arl. hegemony, modernity, Ecuador.liSummary for Lay AudienceThis thesis essay examines the projects I ha Collaborative Listening and Cultural Difference in Contemporary Artve been invok ed during my doctoral studies. Through this program, I elaborate on conceptual perspectives addressing topics (i.e. subaltemity. identitCollaborative Listening and Cultural Difference in Contemporary Art
y, conununity) related with the problem of cultural difference.Various perspectives used within the terrains of socially engaged art practice and sounWestern ? Graduated Post doctoral St tidiesWestern UniversityScholarship@WesternElectronic Thesis and Dissertation Repository43707,4375Collaborative L Collaborative Listening and Cultural Difference in Contemporary Artts of collaboration and listening. Throughout the essay, these subjects are shown as integral to the processes underlying the realization of the project, Mountains and Rivers without End, and the soundscape, Pasochoa. The former resulted in an exhibition that included the participation of scholars, Collaborative Listening and Cultural Difference in Contemporary Artresearchers, and artists from Ecuador and Canada in research about the historical, sociocultural, and envừonmental effects of mining in the region surCollaborative Listening and Cultural Difference in Contemporary Art
rounding the towns of Portovelo and Zaruma in Ecuador. The latter was a project developed in Ecuador in collaboration with José Sangoquiza, who is a sWestern ? Graduated Post doctoral St tidiesWestern UniversityScholarship@WesternElectronic Thesis and Dissertation Repository43707,4375Collaborative L Collaborative Listening and Cultural Difference in Contemporary Artve Listenings which underline my interest in the potentialities within the practices of listening and sounding in artistic endeavours aimed at fostering modes of knowing through relations. As argued by Steven Feld, a key issue within knowing through relations IS "making otherness into ‘significant’ Collaborative Listening and Cultural Difference in Contemporary Artforms of Otherness” (Feld 2015. 13). The discussion of the projects included in this dissertation accounts for situations where the experience of theCollaborative Listening and Cultural Difference in Contemporary Art
dynamic interrelations between sotmd and space—a main concern of sound art as stated by Brandon LaBelle —opens up conditions for considering the politWestern ? Graduated Post doctoral St tidiesWestern UniversityScholarship@WesternElectronic Thesis and Dissertation Repository43707,4375Collaborative L Collaborative Listening and Cultural Difference in Contemporary Art proposed here as a relevant means to inquire into hegemonic processes leading to the configuration of specific social orders constituted amidst the blind spots of cultural difference. My main focus is thus placed on hegemonic processes that have as their backdrop the formation of the space of moder Collaborative Listening and Cultural Difference in Contemporary Artnity' in Andean contexts, particularly in my home country. Ecuador.ivAcknowledgmentsI would like to acknowledge my indebtedness and render my warmestCollaborative Listening and Cultural Difference in Contemporary Art
thanks to my supervisor. Professor Patrick Mahon, who made this work possible. His friendly guidance and expert advice have been invaluable throughoutWestern ? Graduated Post doctoral St tidiesWestern UniversityScholarship@WesternElectronic Thesis and Dissertation Repository43707,4375Collaborative L Collaborative Listening and Cultural Difference in Contemporary Artrk for extended discussions and valuable suggestions which have contributed greatly to the improvement of the thesis. The thesis has also benefited from comments and suggestions made by Dr. Amanda Grzyb who has read through the manuscript. My thanks are extended to Dr. Andres Villar for his contribu Collaborative Listening and Cultural Difference in Contemporary Arttion in the realization of the project Mountains and Rivers without End. I take this opportunity to thank them.Quito. July 13th. 2019Western ? Graduated Post doctoral St tidiesWestern UniversityScholarship@WesternElectronic Thesis and Dissertation Repository43707,4375Collaborative LWestern ? Graduated Post doctoral St tidiesWestern UniversityScholarship@WesternElectronic Thesis and Dissertation Repository43707,4375Collaborative LGọi ngay
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