Ebook Atlas of cosmetic and reconstructive periodontal surgery (3/E): Part 2
➤ Gửi thông báo lỗi ⚠️ Báo cáo tài liệu vi phạmNội dung chi tiết: Ebook Atlas of cosmetic and reconstructive periodontal surgery (3/E): Part 2
Ebook Atlas of cosmetic and reconstructive periodontal surgery (3/E): Part 2
13Visual PerceptionPerceptionPerception B the psychological response. organ! ration, and interpretation of sensory stimuli (sight. smell, taste, touch Ebook Atlas of cosmetic and reconstructive periodontal surgery (3/E): Part 2h, and hearing). 11 is cul rurally based and subjective, which gives rise to die truism “Beauty is in lite eye of 11«? Lieholder." The comparison of stimuli with our previous experiences, which are then interpreted, is known as pnwpr. Esthetics is derived from the Creek ncs-theiii, meaning perceptio Ebook Atlas of cosmetic and reconstructive periodontal surgery (3/E): Part 2n. 'Ihe science of visual perception or esthetics is the study of sensory stimuli and response, visual perception is a prerequisite tor esthetics, asEbook Atlas of cosmetic and reconstructive periodontal surgery (3/E): Part 2
is visual examination a requirement for clinical investigation (Rufenacht, 1990]. Understanding the fundamental objective criteria of esthetics is a b13Visual PerceptionPerceptionPerception B the psychological response. organ! ration, and interpretation of sensory stimuli (sight. smell, taste, touch Ebook Atlas of cosmetic and reconstructive periodontal surgery (3/E): Part 2hen mafic part of the wtirJc.CompositionCompositinn is the study of the relationship between objects nude visible by contrasts in oofor, line, or texture (Figure 13 1). Camlrasl allows our eyes to "sec” or differentiate. As contrast increases, .Ml dues visibility if there w enough light to illuminat Ebook Atlas of cosmetic and reconstructive periodontal surgery (3/E): Part 2e. In dentistry, ware concerned with facial, denlofacia), and deiilogingival com positions (Lombard, 1973).UnityThe prime requisite of composition isEbook Atlas of cosmetic and reconstructive periodontal surgery (3/E): Part 2
unity (Lombard. 1973). Unity is the ordering of different individual parts of the composition Io give the effect of the whole. The whole is greater th13Visual PerceptionPerceptionPerception B the psychological response. organ! ration, and interpretation of sensory stimuli (sight. smell, taste, touch Ebook Atlas of cosmetic and reconstructive periodontal surgery (3/E): Part 2(Figure 13-2).Unity may be subdivided into stagnant and dynamic unity (Rufenacht. 1990):Stagnant unity (Figure 1.1-3)1(ieomelric shapes2Nonliving3Inert (no motion)4Repetitions5Examples: crystals, snowflakes, water dropletsFIGURE 13-3. Stsenant unity IS noniMng. inert mo motion) .-rid rcpclitiixjs.BI Ebook Atlas of cosmetic and reconstructive periodontal surgery (3/E): Part 2SBFIGURE 13-9. A border a>cEbook Atlas of cosmetic and reconstructive periodontal surgery (3/E): Part 2
objects nr teeth aa they move away from the center point and is referred to ax horizontal nr radiating symmetry:Horizontal or running symmetry (Figur13Visual PerceptionPerceptionPerception B the psychological response. organ! ration, and interpretation of sensory stimuli (sight. smell, taste, touch Ebook Atlas of cosmetic and reconstructive periodontal surgery (3/E): Part 2amic/interexting3. Right and left sides are mirror imagesComposition requires symmetry lor balance, equilibrium, and visual balance to exist.Dentufacial composition requires lite intro-duction of radiating symmetry to create a positive psychological response, and whereas hori- Ebook Atlas of cosmetic and reconstructive periodontal surgery (3/E): Part 213Visual PerceptionPerceptionPerception B the psychological response. organ! ration, and interpretation of sensory stimuli (sight. smell, taste, touchGọi ngay
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