THE MARLOWE SHAKESPEARE LITERARY PARALLEL
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THE MARLOWE SHAKESPEARE LITERARY PARALLEL
THE MARLOWE-SHAKESPEARE LITERARY PARALLELS.Neil Maizels 38 Urquhart Street, Hawthorn, 3122 Australia.neil.inaizels@ibigpond.comPREFACEThis collection THE MARLOWE SHAKESPEARE LITERARY PARALLEL of Marlowe/Shakespeare “parallels” cannot be for everyone.It cannot be for those who firmly hold to the view that it does not matter who Shakespeare was, because the only thing that matters is the work itself. This book agrees with the idea that it is the works themselves which are most important, THE MARLOWE SHAKESPEARE LITERARY PARALLELbut also concludes that curiosity about the mind or minds which composed such works is inevitable and important. Important because the creativity andTHE MARLOWE SHAKESPEARE LITERARY PARALLEL
adventurousness shown in these works is without equal in the whole known human canon.This book cannot be for the “Oxfordians” or “Baconians” or “de VeTHE MARLOWE-SHAKESPEARE LITERARY PARALLELS.Neil Maizels 38 Urquhart Street, Hawthorn, 3122 Australia.neil.inaizels@ibigpond.comPREFACEThis collection THE MARLOWE SHAKESPEARE LITERARY PARALLELy thorough analysis of the relationship of Marlowe’s works to Shakespeare’s reveals similarities far beyond those detected already in some close ‘parallels’outlined by Calvin Hoffman, in the 1950s.Hoffman, and some who followed his lead, were able to find several parallelisms, where Shakespeare seem THE MARLOWE SHAKESPEARE LITERARY PARALLELed to ‘lift’ whole sentences or phrases from Marlowe, and suggested this as the ultimate proof that Marlowe was the author of Shakespeare’s works.HoweTHE MARLOWE SHAKESPEARE LITERARY PARALLEL
ver, in my experience, this has led to two lots of skepticism.The first, from the “Stratfordians”, is that Shakespeare might well have quoted from or THE MARLOWE-SHAKESPEARE LITERARY PARALLELS.Neil Maizels 38 Urquhart Street, Hawthorn, 3122 Australia.neil.inaizels@ibigpond.comPREFACEThis collection THE MARLOWE SHAKESPEARE LITERARY PARALLELbe swayed by the weight of the parallelisms, but who find, as yet, an insufficient mass of data to ‘win the case’.Many of these have hoped that ‘someone’ would do a more thorough literary analysis of the two authors’ works and come up with something more conclusive - something that could show that S THE MARLOWE SHAKESPEARE LITERARY PARALLELhakespeare was far more than ‘influenced’ by Marlowe - that he was Marlowe.Hoffman and Farey have noted studies which demonstrate an amazing corresponTHE MARLOWE SHAKESPEARE LITERARY PARALLEL
dence of word frequency patterns between Shakespeare and Marlowe, but this data is hard to be convinced by, beyond noticing the argument for the similTHE MARLOWE-SHAKESPEARE LITERARY PARALLELS.Neil Maizels 38 Urquhart Street, Hawthorn, 3122 Australia.neil.inaizels@ibigpond.comPREFACEThis collection THE MARLOWE SHAKESPEARE LITERARY PARALLELty of imagery, literary style, and imaginative thinking and ideas, between Marlowe and Shakespeare.ĨI will be shown, through a multitude of examples, that the idea of Shakespeare merely having been influenced by Marlowe, no longer holds true. That such a gifted poetic genius would need, or even dare THE MARLOWE SHAKESPEARE LITERARY PARALLEL, to turn to Marlowe again and again and again is extremely improbable. Even pride alone would pul a limit to the number of liftings and obvious influTHE MARLOWE SHAKESPEARE LITERARY PARALLEL
ences from a rival writer.The other argument - that the style and subject matter of the two writers is vastly different - and that all literary authorTHE MARLOWE-SHAKESPEARE LITERARY PARALLELS.Neil Maizels 38 Urquhart Street, Hawthorn, 3122 Australia.neil.inaizels@ibigpond.comPREFACEThis collection THE MARLOWE SHAKESPEARE LITERARY PARALLEL argued that Marlowe’s works are to be seen as early Shakespeare.Secondly, the usual argument is that Marlowe’s characters arc cardboard cutouts of super heroes, and nothing like the fully three-dimensional ‘solid’ characterizations of Shakespeare.A close reading of both authors reveals that both we THE MARLOWE SHAKESPEARE LITERARY PARALLELre capable of a depth of characterization, but that in Marlowe this is often more sporadic. It is also true that some of Shakespeare’s characters areTHE MARLOWE SHAKESPEARE LITERARY PARALLEL
more stereotypical than fully fleshed, witness Malvolio.The only way to get any real depth into the argument is through the arduous work of collectingTHE MARLOWE-SHAKESPEARE LITERARY PARALLELS.Neil Maizels 38 Urquhart Street, Hawthorn, 3122 Australia.neil.inaizels@ibigpond.comPREFACEThis collection THE MARLOWE SHAKESPEARE LITERARY PARALLELbetween Shakespeare and other authors of the time.This collection accomplishes such a task, but far from being an arduous task, it became an adventure. 1 began to see patterns in both Marlowe and Shakespeare that would never have occurred to me, and gave me a unique perspective in the understanding THE MARLOWE SHAKESPEARE LITERARY PARALLELof various word chains, associations and images both within and between the two authors.I can only hope that the reader will experience some of the thTHE MARLOWE SHAKESPEARE LITERARY PARALLEL
rill that I did as I saw the screen light up with threads of interconnection, and the literary case swelled into a gestalt of myriad associations and THE MARLOWE-SHAKESPEARE LITERARY PARALLELS.Neil Maizels 38 Urquhart Street, Hawthorn, 3122 Australia.neil.inaizels@ibigpond.comPREFACEThis collection THE MARLOWE SHAKESPEARE LITERARY PARALLELar here; that T was always (and still am) very concerned that 1 may have fallen prey to what the psychoanalyst Donald Meltzer calls “ the delusion of clarity of insight ”. It is so easy to become obsessed with the thrill of the chase, and carried away with an explorer's ambition, that OTIC could ver THE MARLOWE SHAKESPEARE LITERARY PARALLELy easily sec and conclude much more than the data actually shows or proves. The only way that 1 could satisfy myself, beyond a reasonable doubt, thatTHE MARLOWE SHAKESPEARE LITERARY PARALLEL
the two authors were one was Io bring in the weight of numbers.Having said that - Ĩ want to make it clear that my study is by no means exhaustive. I sTHE MARLOWE-SHAKESPEARE LITERARY PARALLELS.Neil Maizels 38 Urquhart Street, Hawthorn, 3122 Australia.neil.inaizels@ibigpond.comPREFACEThis collection THE MARLOWE SHAKESPEARE LITERARY PARALLELmany more riches in the mine than can be carried out by one mind alone.I can only hope that the reader will either be convinced of my case, or will be moved by enough doubt and curiosity to make their own.Each set of examples is headed by the Marlowe quote and then followed by the Shakespeare quotes THE MARLOWE SHAKESPEARE LITERARY PARALLEL.MP V, iv, 4-5.DƯMAINE: Sweet Duke of Guise, our prop to lean upon, Now thou art dead, here is no stay for US.Hen 6.3 II, I, 73.EDWARD. Sweet Duke ofTHE MARLOWE SHAKESPEARE LITERARY PARALLEL
York, our prop to lean upon, Now thou art gone, we have no staff, no stay.o Clifford, boist'rous Clifford, thou hast slainThe flow'r of Europe for hisTHE MARLOWE-SHAKESPEARE LITERARY PARALLELS.Neil Maizels 38 Urquhart Street, Hawthorn, 3122 Australia.neil.inaizels@ibigpond.comPREFACEThis collection THE MARLOWE-SHAKESPEARE LITERARY PARALLELS.Neil Maizels 38 Urquhart Street, Hawthorn, 3122 Australia.neil.inaizels@ibigpond.comPREFACEThis collectionGọi ngay
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