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thematicTransformationInJohnCoriglianoSEtudeFantasy

Thematic Transformation in John Corigliano’s Etude Fantasy by Andrew RamosB.M., University of Hawai‘i at Mãnoa, 2013M.M., University of Colorado at Bo

thematicTransformationInJohnCoriglianoSEtudeFantasyoulder. 2015A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirements for the

degree Doctor of Musical Arts College of Music2018This thesis for the Doctor of Musical Arts degree by Andrew Ramoshas been approved for the Graduate thematicTransformationInJohnCoriglianoSEtudeFantasy

SchoolbyAndrew Cooperstock0,1Dr. Alejandro CremaschiDate 5-5-18The final copy of this thesis has been examined by the signatories, and we find that bo

thematicTransformationInJohnCoriglianoSEtudeFantasy

th the content and the form meet acceptable presentation standards of scholarly-work in the above-mentioned discipline.AbstractRamos. Andrew (D.M.A..

Thematic Transformation in John Corigliano’s Etude Fantasy by Andrew RamosB.M., University of Hawai‘i at Mãnoa, 2013M.M., University of Colorado at Bo

thematicTransformationInJohnCoriglianoSEtudeFantasyntasy 11976). a piece lor piano, as “a SCI of live enides combined into the episodic form and character of a fantasy.”1 Scholars have identified six t

hemes used throughout the work. However, how these themes function throughout the opus has not yet been discussed and thus will be addressed in tills thematicTransformationInJohnCoriglianoSEtudeFantasy

paper.This analysis will focus on the thematic transformation of the work's six themes. Understanding these trans forma I ions will help a pianist org

thematicTransformationInJohnCoriglianoSEtudeFantasy

anize the many layers of material and make decisions on which aspects they should highlight. In addition, these insights will enable pianists to help

Thematic Transformation in John Corigliano’s Etude Fantasy by Andrew RamosB.M., University of Hawai‘i at Mãnoa, 2013M.M., University of Colorado at Bo

thematicTransformationInJohnCoriglianoSEtudeFantasyle theme dominates this movement. The analysis will show that this theme transforms from subdued to powerfill. First, a discussion of the six themes w

ill be given, followed by the main analysis. Significant transformations in other movements will also be identified.• John Corigliano. Etude Fantasy: thematicTransformationInJohnCoriglianoSEtudeFantasy

for Solo Piano (USA: G. Schumer. Inc.. 19S1 >.Table of ContentsIntroduction1The Themes4Etude No. 1: For the Left Hand Alone9Etudes 2-524-37Etude No.2:

thematicTransformationInJohnCoriglianoSEtudeFantasy

Legato24Etude No.3: Fifths toThirds26Etude No.4: Ornaments29Emde No.5: Melody35Conclusion38Bibliography39ItIntroductionJohn Corigliano (1938 -) is an

Thematic Transformation in John Corigliano’s Etude Fantasy by Andrew RamosB.M., University of Hawai‘i at Mãnoa, 2013M.M., University of Colorado at Bo

thematicTransformationInJohnCoriglianoSEtudeFantasys Elude Fantasy (1976). a virtuosic work for piano. It was premiered by James Tocco. Corigliano describes the opus as “a set of five etudes combined i

nto the episodic form and character of a fantasy.’’2 Throughout the work, Corigliano heavily utilizes two intervals, the interval of a second (ic 1). thematicTransformationInJohnCoriglianoSEtudeFantasy

and a third (ic 3).3 Pianists and audiences love the work for its technical feats and high drama.The Etude Fantasy can be perplexing to listen to due

thematicTransformationInJohnCoriglianoSEtudeFantasy

to its nontraditional structure. For example, there are elements of ternary form and also of arch form. By pairing etudes one and two, and four and fi

Thematic Transformation in John Corigliano’s Etude Fantasy by Andrew RamosB.M., University of Hawai‘i at Mãnoa, 2013M.M., University of Colorado at Bo

thematicTransformationInJohnCoriglianoSEtudeFantasye the opus to better understand how it functions. Pitch has been discussed through inten allic relationships and some set theory. Most significantly,

scholars have identified six themes used throughout the work. However, how these themes function throughout the opus has not yet been discussed and th thematicTransformationInJohnCoriglianoSEtudeFantasy

us will be addressed in this paper.

Thematic Transformation in John Corigliano’s Etude Fantasy by Andrew RamosB.M., University of Hawai‘i at Mãnoa, 2013M.M., University of Colorado at Bo

Thematic Transformation in John Corigliano’s Etude Fantasy by Andrew RamosB.M., University of Hawai‘i at Mãnoa, 2013M.M., University of Colorado at Bo

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