Pictures of the body affect and logic, opening, preface, introduction
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Pictures of the body affect and logic, opening, preface, introduction
Pictures of the BodyLogic and AffectJames ElkinsRevised January 2021Preface, IntroductionTable of ContentsPrefaceIntroductionPARTONE . AFFECTCHAPTER 1 Pictures of the body affect and logic, opening, preface, introduction 1 MembranesCHAPTER 2 PsychomachiaCHAPTER 3 CutfleshPART TWO . LOGICCHAPTER 4 By Looking AloneCHAPTER 5 Analogic SeeingCHAPTER 6 Dry SchemataPreface. Introduction4Preface: On the History of this SubjectIn the last half century, beginning more or less in the mid-1980s, there has been a renascence of w Pictures of the body affect and logic, opening, preface, introduction riting on the depicted body. Loosely following phenomenological accounts by Jean-Paul Sartre and Maurice Merlcau Pouty, and taking up threads from RobPictures of the body affect and logic, opening, preface, introduction
ert Vischer's theory- of empathy and Jacques Incan’s descriptions of the web of vision, writers have woven a more reflective understanding of what hapPictures of the BodyLogic and AffectJames ElkinsRevised January 2021Preface, IntroductionTable of ContentsPrefaceIntroductionPARTONE . AFFECTCHAPTER 1 Pictures of the body affect and logic, opening, preface, introduction oblem in form or volume, or an opportunity for divine or historical narrative—but as a counterpart and figure for the observer. As my body moves, or as 1 think of moving, the body 1 behold also shifts, and as 1 look, I see myself being seen, and 1 return the represented gaze. My thoughts are entangl Pictures of the body affect and logic, opening, preface, introduction ed in what 1 imagine as the depicted figure’s thoughts, and my image of myself is mingled with the way I respond to the pictured body. Because the bodPictures of the body affect and logic, opening, preface, introduction
y intromits thought, important aspects of my responses to a picture of a body may not even be cognized: I may feel taller looking at an attenuated figPictures of the BodyLogic and AffectJames ElkinsRevised January 2021Preface, IntroductionTable of ContentsPrefaceIntroductionPARTONE . AFFECTCHAPTER 1 Pictures of the body affect and logic, opening, preface, introduction I contemplate a represented body. The nature of my thought, my very' capacity to form judgments, is in question: as Elaine Scarry' emphasized in 1985, the act of beholding af rhe relevant texts are Sartre. Being and Nothingness, translated by Hazel li. Barnes (New York: Washington Square Press. 196 Pictures of the body affect and logic, opening, preface, introduction 6); Merleau-Ponry, rhe Visible and rhe Invisible, translated by Alphonso Luigis (Evanston: Northwestern University Press. 1968), and Merleau-Ponry, PhPictures of the body affect and logic, opening, preface, introduction
enomenology of Perception, translated by Colin Smith (London: Routledge and Kegan Paul, 1962); Lacan, rhe Four Fundamental Concepts of Psycho AnalysisPictures of the BodyLogic and AffectJames ElkinsRevised January 2021Preface, IntroductionTable of ContentsPrefaceIntroductionPARTONE . AFFECTCHAPTER 1 Pictures of the body affect and logic, opening, preface, introduction cheii Fonnprobletn (Halle. 1927). and Empathy. Form, and Space: Problems in German Aesthetics 1873 1893. translated by Harn Francis Mallgravc and Elcftherios Ikonomu (Santa Monica, CA: (Jerry Center for rhe History of Alt and 1 lumaniries, 1994).1 or Sartre see also I lubert L. Dreyfus and Piotr I l Pictures of the body affect and logic, opening, preface, introduction offman, “Sartre’s (’hanged Conception of Consciousness: From Lucidity to Opacity.” The Philosophy of Jean Paul Sartre. edited by Paul Arthur Schlipp.Pictures of the body affect and logic, opening, preface, introduction
The Library of Living Philosophers, vol. 16. (La Salle, III Open Court, 1981),233ff.Preface, Introduction5body affects my ability to form propositionsPictures of the BodyLogic and AffectJames ElkinsRevised January 2021Preface, IntroductionTable of ContentsPrefaceIntroductionPARTONE . AFFECTCHAPTER 1 Pictures of the body affect and logic, opening, preface, introduction y be eroded? It was also in the 1980s that Mark Johnson suggested that thinking about the body is also thinking by means of the body, because the very structure of propositional logic follows in part from the experience of the body?At the same time, the represented body is taken as a sign of the rea Pictures of the body affect and logic, opening, preface, introduction l: it denotes identity, ethnicity, sexuality, and gender, and it invites the viewer to consider their own identity in relation to the body that is depPictures of the body affect and logic, opening, preface, introduction
icted, and to think of both their identity and the represented body in relation to the imagined or represented body of the artist. That entanglement oPictures of the BodyLogic and AffectJames ElkinsRevised January 2021Preface, IntroductionTable of ContentsPrefaceIntroductionPARTONE . AFFECTCHAPTER 1 Pictures of the body affect and logic, opening, preface, introduction deas: at the least there is art history, feminism, gender studies, queer theory, varieties of psychoanalysis, phenomenology, studies of popular culture, histories of science and medicine, anthropology, contemporary scientific imaging, advertising, and contemporary art from performance to video games Pictures of the body affect and logic, opening, preface, introduction .Given this historically recent awareness it is worth bearing in mind that questions of embodied seeing were not an innovation of the late twentieth cPictures of the body affect and logic, opening, preface, introduction
entury', and that corporeal responses to pictures of the body go back to the origins of Western art criticism. Philostratus’s Imagines, written aroundPictures of the BodyLogic and AffectJames ElkinsRevised January 2021Preface, IntroductionTable of ContentsPrefaceIntroductionPARTONE . AFFECTCHAPTER 1 Pictures of the body affect and logic, opening, preface, introduction l Pain (New York: Oxford University Press. 1985), 279. Scarry makes her comments in reference to “concussive experiences” of pain and torture, but as I will argue, her observations have force in regard to many bodily representations.1 See Johnson. The Body in the Mind: The Bodily Basis of Meaning. I Pictures of the body affect and logic, opening, preface, introduction magination and Reason (Chicago: University of Chicago Press. 1987). whose account I will not be following here because it is too general—and too ratioPictures of the body affect and logic, opening, preface, introduction
nal—to be of much help in accounting for pictures. Johnson does not cite Spinoza or the Stoics, and his book also has unacknowledged affinities with ePictures of the BodyLogic and AffectJames ElkinsRevised January 2021Preface, IntroductionTable of ContentsPrefaceIntroductionPARTONE . AFFECTCHAPTER 1 Pictures of the body affect and logic, opening, preface, introduction oza see Gilles Deleuze. Spinoza. Practical Philosophy, translated byRobert Hurley (San Francisco: City Lights. 1988). See also Drew Leder. The Absent Body (Chicago: University of Chicago Press, 1990); Jane Gallop. Thinking Through the Body (New York. 1988); Naomi Goldenberg, Returning Words to Flesh Pictures of the body affect and logic, opening, preface, introduction : Feminism. Psychoanalysis. and the Resurrection of the Body (Boston. 1992); and George Lakoff. Women. Fire, and Dangerous Things: What Categories RevPictures of the body affect and logic, opening, preface, introduction
eal about the Mind (Chicago: University of Chicago Press. 1987).Preface, IntroductionPhilostratus describes each painting for the benefit of his admirPictures of the BodyLogic and AffectJames ElkinsRevised January 2021Preface, IntroductionTable of ContentsPrefaceIntroductionPARTONE . AFFECTCHAPTER 1 Pictures of the body affect and logic, opening, preface, introduction lls of Thebes, Philostratus praises the wonderful way the painter has shown Menoeceus pulling the sword from his body. Philostratus would have been standing to one side of the painting, with the boy next to him and the spectators ringed around. “Let US catch the blood, my boy,” Philostratus says, “h Pictures of the body affect and logic, opening, preface, introduction olding it under a fold of our garments; for it is flowing out, and the soul is already about to take its leave, and in a moment you will hear its gibbPictures of the body affect and logic, opening, preface, introduction
ering cry.”1 * * 4 To Philostratus, the Menoeceus is a painting that speaks, that bleeds, that is about to give up a soul. I imagine Philostratus makiPictures of the BodyLogic and AffectJames ElkinsRevised January 2021Preface, IntroductionTable of ContentsPrefaceIntroductionPARTONE . AFFECTCHAPTER 1 Pictures of the body affect and logic, opening, preface, introduction begin to weaken.5Strains of this kind of bodily response echo throughout the history of art and art criticism, and so does interest in what we now call constructions of gender. (Philostratus’s choice of a ten-year-old boy is not chance, and it has its effect on his monologue as well.) Yet it could b Pictures of the body affect and logic, opening, preface, introduction e argued that the contemporary' mixture of ideas has produced a new configuration of problems. The sometimes narcissistic "infatuation with differentPictures of the body affect and logic, opening, preface, introduction
modes of body consciousness” has coalesced into a field of extraordinary conceptual complexity, and on some occasions the new amalgam of interests hasPictures of the BodyLogic and AffectJames ElkinsRevised January 2021Preface, IntroductionTable of ContentsPrefaceIntroductionPARTONE . AFFECTCHAPTER 1Pictures of the BodyLogic and AffectJames ElkinsRevised January 2021Preface, IntroductionTable of ContentsPrefaceIntroductionPARTONE . AFFECTCHAPTER 1Gọi ngay
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