RIAM DMusPerf Marie-Charline Foccroulle
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RIAM DMusPerf Marie-Charline Foccroulle
Final Thoughts? Interpretation of the FirstMovements of Beethoven’s and Schubert’s LastThree Piano SonatasMarie-Charline FoccroulleDissertation submit RIAM DMusPerf Marie-Charline Foccroulletted to Dublin City University in partial fulfilment of the requirements for the degree Doctor in MusicPerformanceROYAL IRISH ACADEMY OF MUSICSupervisor: Dr. Denise Neary42979A 1 Royal IrishAcademyof MusicTerms and Conditions of Use of Digitised Theses from Royal Irish Academy of MusicCopyright stat RIAM DMusPerf Marie-Charline FoccroulleementAll material supplied by Royal Irish Academy of Music Library is protected by copyright (under the Copyright and Related Rights Act, 2000 as amenRIAM DMusPerf Marie-Charline Foccroulle
ded) and other relevant Intellectual Property Rights. By accessing and using a Digitised Thesis from Royal Irish Academy of Music you acknowledge thatFinal Thoughts? Interpretation of the FirstMovements of Beethoven’s and Schubert’s LastThree Piano SonatasMarie-Charline FoccroulleDissertation submit RIAM DMusPerf Marie-Charline Foccroulleholder, specific copyright holders may not be explicitly identified. Use of materials from other sources within a thesis should not be construed as a claim over them.Access AgreementBy using a Digitised Thesis from the Royal Irish Academy of Music you are bound by the following Terms & Conditions:I RIAM DMusPerf Marie-Charline Foccroullehave read and I understand the following statement: All material supplied as a Digitised Thesis from the Royal Irish Academy of Music IS protected byRIAM DMusPerf Marie-Charline Foccroulle
copyright and other intellectual property rights, and duplication or sale of all or part of any of a thesis is not permitted, except that material mayFinal Thoughts? Interpretation of the FirstMovements of Beethoven’s and Schubert’s LastThree Piano SonatasMarie-Charline FoccroulleDissertation submit RIAM DMusPerf Marie-Charline Foccroulleing the normal conventions. You must obtain permission for any other use. Electronic or print copies may not be offered, whether for sale or otherwise to anyone. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published with RIAM DMusPerf Marie-Charline Foccroulleout proper acknowledgement.DeclarationI hereby certify that this material, which I now submit for assessment on the programme of study leading to theRIAM DMusPerf Marie-Charline Foccroulle
award of Doctor in Music Performance, is entirely my own work, that I have exercised reasonable care to ensure that the work is original, and does notFinal Thoughts? Interpretation of the FirstMovements of Beethoven’s and Schubert’s LastThree Piano SonatasMarie-Charline FoccroulleDissertation submit RIAM DMusPerf Marie-Charline Foccroullen cited and acknowledged within the text of my work.Signed:_____________ID No.:_____________Date:Table of contentsList of musical examplesVList of tablesviiAbstractviiiForewordXAcknowledgmentsxi1.Introduction11.1Background to the study11.1.1The piano sonata at the end of the 18th and beginning of th RIAM DMusPerf Marie-Charline Foccroullee 19th centuries1.1.2The last three piano sonatas1.1.3Cunent popularity of Beethoven's and Schubert’s piano sonatas1.2Delimitation of the study51.3AimRIAM DMusPerf Marie-Charline Foccroulle
s of the study6Final Thoughts? Interpretation of the FirstMovements of Beethoven’s and Schubert’s LastThree Piano SonatasMarie-Charline FoccroulleDissertation submitFinal Thoughts? Interpretation of the FirstMovements of Beethoven’s and Schubert’s LastThree Piano SonatasMarie-Charline FoccroulleDissertation submitGọi ngay
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